Sunday, April 13, 2014

Review: Hyperbole and a Half -- THE BOOK

Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That HappenedHyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened by Allie Brosh
My rating: 5 of 5 stars

As others have mentioned, this book is a great mix of our favorite Hyperbole and a Half stories (like "God of Cake") and completely new material ("Letter to My Future Self"). If you're already a fan of her writing, you don't need me to talk about the text. What I want to talk about, what I really, really love about this book, though, is its construction. The physical book itself is quite impressive.

[If it's not already obvious, attempting to read this on an e-Reader will not do you any good as a big piece of Brosh's charm are her illustrations.]

The paper is thick and glossy. The book itself has heft; it could be used as a weapon should one need to defend herself while out and about (and reading). The pages for each story or "section" are different colored, all bright and Crayola-looking, leaving no doubt that this book is the Hyperbole and a Half we all know and love. The pages only change color when a new story is introduced, making it very easy to thumb through the book and read each story as one sees fit. We don't need no stinkin' linear reading!

All in all, my feeling is the book was expensive to produce. Prices range from $9 (Amazon Prime paperback) to $20 (hardcover). I think I paid around $14 for my copy. No matter how you slice it, the price (any of them) is a "heckuva deal!" (to quote my step-dad).

Do yourself a favor and buy this in hard copy; laugh and cry with Allie's humor and "unfortunate situations"; enjoy the glossiness of the page; and keep it with you should you need to give someone a concussion.

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Thursday, April 10, 2014

Review: Scarlet

Scarlet (The Lunar Chronicles, #2)Scarlet by Marissa Meyer
My rating: 3 of 5 stars

While I gave book #1, Cinder, four stars, Scarlet only got three. Why? I think I tend to like first books better. In first books, everything is new; the universe is new, the concepts and "gimmicks" are new. I still enjoyed Scarlet very much (I devoured it in one sitting), but the lack of "newness" got rid of that fourth star.

Scarlet, of course, is Marissa Meyer's futuristic rendering of "Little Red Riding Hood." Red's canon involves:
-A girl
-A red hood
-A grandmother
-A wolf
-A huntsman
-A journey

Meyer fulfills all of those in her own way, except maybe (click here to read entire review with spoiler).  However, as it took me a moment to even realize that that was possibly missing, it clearly didn't effect or distract from the story.

Speaking of wolves, I particularly liked (Yes, another spoiler) had "Hello, Little Girl" from Into the Woods running through my head the entire time.

While Cinder ends abruptly, Scarlet does not pick up directly where it left off. We are first introduced to Scarlet and her world, and just when we've forgotten that we were dying to know about Cinder's plight, a chapter will pick up with Cinder's story. The political intrigue continues from Cinder; however, there is less focus on cyborgs as second-class citizens, etc., probably because a cyborg isn't quite the focus of this book. When Scarlet was finished, I definitely still wanted to read book #3 (Cress), but there was not the immediate, burning desire that I had at the end of Cinder.

Meyer, overall, does a nice job of weaving the stories together; these characters all exist in Meyer's same universe, after all, which means that Cress will be quite the balancing act.

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Tuesday, April 8, 2014

Review: Cinder

Cinder (The Lunar Chronicles, #1)Cinder by Marissa Meyer
My rating: 4 of 5 stars

As I mentioned in my review of Seraphina, I enjoy new takes on established mythologies, and Cinder is no exception. I mistakenly thought this was a "steampunk" version of the Cinderella story, but it is not; it's a sci-fi futuristic revisioning of the tale and so much more than that.

When discussing new takes on old stories with my students, we discuss the idea of "canon," the things you absolutely MUST have in a story to make the tale recognizable (i.e. if you're doing your own version of Batman, what do you need? What must every Batman tale have?). In addition to the titular character, Cinderella's cannon is:
  • A wicked stepmother
  • Two hateful stepsisters
  • A prince
  • A ball
  • A "pumpkin" coach
  • A "glass slipper"
  • A fairy godmother
  • Other assorted "helpers," sometimes of the animal variety.

Cinder manages to accomplish all of this in its futuristic universe, except (in order to view the spoiler, read the review directly on Goodreads here and click "view spoiler").

Some of the bits of canon are cleverer than others. When the issue of the ball arrives, it felt like a bit of a smack in the face with its lack of subtlety, but then I reminded myself that 1) it doesn't have to be subtle, and 2) we do HAVE to have a ball.

Cinder accomplishes so much more than "just" the fairy tale, though. It's a tale of politics and intrigue and a global society that still has second- (and third-) class citizens. It does end somewhat abruptly, so make sure you have the second book, Scarlet, on order.
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Friday, April 4, 2014

Review: Captain America: The Winter Soldier

I saw it last night, and two friends said, "I'm looking forward to your review," so I guess I should write one.  First off, I greatly enjoyed this movie.  Like many movies on the big screen, sometimes it's hard for me to take it all in the first time around.  I probably won't be able to see this one a second time in the theaters, so let's see what my brain remembers from last night's 11:10 p.m. showing.

First, here's the trailer to get us in the mood:


First off, the negatives (there aren't that many):
  • Bad Hair.  I hate the Black Widow's hair in this movie.  I know she's had different hair for each of these movies, and her Avengers hair was the best, in my opinion.  The ringlets were far too fussy for an assassin.  The Avengers bob was the perfect color and length for the Russian spy on the go.  It moved with her acrobatics and gunslinging just right.  This flat-iron job is too, well, flat.  The color is flat with too much dull orange for her complexion.  Plus, what spy has time to flat-iron her hair every morning?  About halfway through this 136-minute movie, it finally stopped distracting me.
  • Lack of Guyliner.   Look at that very last shot of the Winter Soldier.  LOOK AT IT!  Do you see the fantastic guyliner he's sporting?  Okay, fine, it's more like the stuff football players wear to protect from glare, but let's not split hairs here.  SPOILER ALERT:  That awesome eye make-up is not in the movie.  My Facebook nemesis friend Ben said that maybe it's just in the trailer to help "disguise" his real identity.  Whatever.  I wanted guyliner, goddammit!
Supervillains this season are sporting the "morning after" eye make-up, a.k.a. "The Raccoon."
Now on to the positives.  While I do adore Iron Man's snark, Steve Rogers' combination of "Boy Scout" and dry humor is right up there, too.  That and the fact that he's more of a "defensive" fighter than offensive make him a nice change from some of the other superheroes.  Captain America:  The First Avenger is, of course, an origin story; the recent Marvel special, Assembling a Universe, called it "a period action film."  I liked that.  This being Cap's third movie, we know who he is.  So there's less exposition and more explosion.  A LOT more explosions.  Like a lot.  I jumped and squealed several times.  There are also a lot more fight sequences for the Captain; they were really able to show off his moves.

Speaking of "showing off" the Captain, his arms -- mostly his shoulders -- are HUGE in this movie.  They are noticeably larger than his previous films.  Almost too big.  He's not the Hulk, and I don't want them to make him look too far outside of human norms.  He's not Mark McGwire, for goodness sake.  In fact, there was one action sequence where I commented, "Is he the Hulk now?" because of his recklessness.  His fury (pun intended) in terms of plot make sense in that moment, but I still thought it was pushing the limits of his superhero strength.

Wait, I thought this was the positive section?

  • The Falcon.  A.K.A. Sam Wilson.  His humor is right on par with Steve's.  His character was fun with still the right dose of reality.  I'm looking forward to seeing more of him.
  • Black Widow.  Besides the hair, Scarlett Johansson as Natasha Romanoff can really do no wrong in my eyes.  Her timing is impeccable.
  • Attention to Detail.  These little "bits" are part of what make all of these movies work together in the same universe.  Some examples:
    • Natasha wears a small necklace.  Look at it carefully during the close-up shots.  I don't want to spoil it for you, but I definitely know what I think it means.
    • Nick Fury's costuming. 
      It's the toy that says, "Bad-ass motherfucker" on it.
      In the previous movies, he's all bad-ass (as only Samuel L. Jackson can be) with his leather trench coat.  While he may be the director of S.H.I.E.L.D., he's still anti-authority.  Take for example this bit of dialogue from The Avengers:
      • World Security Council: "Director Fury, the council has made a decision."
        Nick Fury: "I recognize the council has made a decision, but given that it's a stupid-ass decision, I've elected to ignore it."
      • In the beginning of The Winter Soldier, Director Fury is attempting to tell the Captain to get on board with S.H.I.E.L.D. and all its bureaucracy (shown in the trailer).  Look at his clothing.  That is not the bad-ass Nick Fury we all know and love.  His clothing is very military-esque, showing that he's part of "the man" now.
    • Nick Fury's epitaph.  It goes by quickly, but read it carefully.  :-)
I will not give away any spoilers, but there are plenty of plot twists and turns that I totally fell for, even though I should have known better, as well as introductions to further Marvel characters.

Our previews also showed us the trailer for X-Men:  Days of Future Past and godDAMN!  That looks pretty intense.  I may need to rewatch X-Men:  First Class; although, each time I've rewatched it, I like it less and less.  And that makes me sad because I loved it in the theater.

I was going to post the second Winter Soldier trailer in here for you, but I think it gives too much away.  Gotta leave something for the film, right??  So here's the X-Men:  Days of Future Past trailer instead.

Thursday, March 27, 2014

Review: The Maze Runner

The Maze Runner (Maze Runner, #1)The Maze Runner by James Dashner
My rating: 1 of 5 stars

I did not care for this book. About forty-five pages in, I realized I was unimpressed. I've been on such a dystopian lit. kick lately that I tried to figure out what made this book different and why I didn't like it. So here goes.

Both The Hunger Games (THG) and Divergent (D) have female authors; The Maze Runner (TMR) has a male author. Both THG and D have sixteen-year-old female protagonists; TMR has a sixteen-year-old male protagonist. Both THG and D are written in first person; TMR is written in limited third person. In both THG and D, the "monsters" are other people (mostly the government or ruling parties); in TMR (at least for the first 90% of the book), the "monsters" are actual living breathing (ridiculous, disgusting, impossible) monsters.

In THG and D, while both protagonists go on journeys and discover new information and conspiracies (which we discover along with them), we at least have some context. Information (settings, surroundings, current state of the world at large) is given in bits and pieces of the usual kind of exposition. The Maze Runner's whole gimmick is that there is no information. The protagonist starts with nothing, no memory, and we, as readers, have jack-squat right along with him. While it's an interesting gimmick, doing it for over 200 pages is frustrating/annoying/repetitive/a rather stupid concept.

It's the repetition that really started to annoy me. For how long can we listen to adolescent boys argue?
"What have you done?"
"I don't know what you're talking about!"
"What have you done?"
"I don't remember anything!"
Later, rinse, repeat for almost the entirety of this novel. In fact, I bet one could look at the majority of this book -- with its "no idea what to do," "just do what the older boys do" mentality -- as a metaphor for boys' sexual experience (or lack thereof) as teenagers.

Dashner's diction is also repetitive. I counted at least three times where Thomas "may not have had any memories, but was sure he just experienced the worst/saddest/most painful thing." I stopped counting after number three. Dashner also appears to know no other way to describe anxiety or stomach-dropping fear without using the word "acid." If Thomas has as much stomach acid or "acid in his veins" as Dashner says, I'm surprised he did not disintegrate before the end of the novel, consumed from the inside out by the ulcer that was surely eating its way out of his stomach.

Dashner also does not explain several things; I mean, other than the withholding of information. The annoying made-up "slang" the other boys use, for instance: "klunk" is explained, but the rest of the words are not. And the boys use the words ad nauseum. The resulting "dialect" is grating, annoying, and purposeless. If you're going to swear (or have your characters swear), just do it already. Don't rely on a made-up baby language to do it for you. (In order to view the teensy spoiler here, read the review directly on Goodreads and click "view spoiler").

Last but certainly not least, the characters are flat and therefore uninteresting. Perhaps that is symptomatic of them having no memories or background. Thomas is a blank slate as is Teresa. The only one remotely interesting is Chuck, the awkward and comedic chubby sidekick, and he's only marginally interesting by the fact that everyone else is not.

While I forced myself to finish this book, I will not be reading the others in the series. Feel free to tell me if anything interesting happens in those (though I doubt it).

Chicago Sucked


In May of 2000, I took a last minute road trip to Chicago.  It did not go well.

"Oh yeah, this just keeps gettin' better and better."
--Rick O'Connell (Brendan Frasier), The Mummy, 1999

That's what I was saying by my last night there. Yep, the Windy City sucked donkey butt. In fact, it started out bad before I was even in my car. I didn't have a hotel room until ten minutes before I left home. Granted, I shouldn't complain, because I neither made the reservation nor paid for the room, but I really was stressed and nervous anyway.

"Behave yourselves while I'm gone!"
I drove to Chicago for an audition. There was a full-page ad in a local newspaper about auditions for the Royal Carribean Cruiselines for professional singers, dancers, and male acrobats (yes, male acrobats). This was primarily for their newest ship, The Explorer, which was supposedly the most technically advanced to date. But they were also casting for their other ten or twelve ships, all of which put on full-blown musical and theatre productions.  I had been fired from a job almost a month earlier, so I thought, Hey, I'm unemployed and have nowhere to be! Let's go to Chicago!!"  I packed a bag, kissed the cats goodbye, and was on my way.

I was half an hour into the trip when I realized that I had left the clothes I wanted to wear to my audition hanging in my closet. I hadn't packed them in my bag because I didn't want them to wrinkle. Shit. So I drove another half hour back to my apartment, wasting one full hour of drive time, to grab those clothes, and by the time I left again I hit rush hour traffic leaving town.  I think I should have realized then that the Universe was telling me not to go.
Oh well. I'm stubborn.

So I drove.
And drove and drove and drove and drove. Speeding the whole way, in typical Leonard fashion.
I'd never driven to Chicago before, so I had clutched in one hand the directions I got from MapQuest.com.  (This is 2000, people.  GPS systems are nigh unheard of.) 255 miles of pure interstate.

I took a couple of wrong turns once into Chicago, because I didn't write down whether to go north or south or east or west on a couple of exits, et cetera. However, I did write down the mileage of each length of road, so if I went over that and wasn't at my next turn, I turned around.  Apparently the trip odometer in the car does serve a purpose!

Finally, I made it to my hotel, and in pretty good time, all things considered. I checked in, got my key, went out to my car to haul all my crap (one duffel bag, one purse, two hangers of clothes, a jacket, and sheet music) upstairs to my room. I got there, and the key wouldn't open the door. I tried several times, and no go. So I picked up one duffel bag, one purse, two hangers of clothes, one jacket, and two books of sheet music again, went downstairs to the lobby.

Only, I couldn't find the lobby.

The hotel I was staying in was set up in a circle with a courtyard and terrace in the middle. I wandered around that whole damn thing (carrying one duffel bag, one purse, two hangers of clothes, one jacket, and two books of sheet music) until I found the lobby again. (Apparently all I had needed to do was go the other direction, and the lobby was all of fifteen feet from my room.)

I got to the front desk and told the kid at the counter, who looked like he was all of 12, rather indignantly that my key didn't work. He said, "Did you leave it in the door, and then turn the handle?"
"Umm, no."
"Why don't you try that?"
"Okay."
And then he looked at me funny as I had come from the opposite direction of my room, and I kind of mumbled, "I got lost on the way here."

Once more I headed to my room with one duffel bag, one purse, two hangers of clothes, one jacket, dance shoes, and two books of sheet music in tow. The key still didn't work.  I even "left it in the door and then turned the handle" like he had said, but nothing.  After two or three more attempts and much swearing, I dropped my shit in front of the door, and went back to the lobby (the right way, this time).
Again I said, "The key won't work."
"Did you --"
"YES, I put it in the lock and then turned the handle.  Multiple times.  It still didn't work."
So the kid grabs the other keys and follows me back upstairs.

And the door opened smoothly and silently for him on the first try. He must have thought I was moron, the little punk. Oh hell, even I thought I was a moron.

I got inside and discovered that I didn't have a room; I had a suite. I didn't have a bathtub; I had a whirlpool.  I think those two factors were the only saving grace of this entire trip.
So I unpacked my duffel bag, purse, hangers of clothes, jacket, dance shoes, and  sheet music and swam in the tub before going to bed.

I managed to get to sleep in the giant bed, even though I was very nervous for the audition the next morning.  My first professional audition.  What the hell was I doing??  But I slept.  And while I slept, my body decided to tell me exactly what it thought of this spontaneous road trip.

I woke up at 7:30 that morning to the left half of my face completely swollen.  While I was sleeping one upper wisdom tooth (one of two that I still had at the time) decided this would be the perfect time "erupt," to cut through my gums, not to mention the flesh of my cheek.  I could barely creak open my jaw to brush my teeth. How on earth would I be able to open my mouth to sing?!  Well fuck.

But I didn't drive all this way for nothin'.  I got dressed (in the clothes that I had to make a return trip for), tossed my music and dance shoes into my bag, ran downstairs to steal a pancake from the free buffet breakfast, and left.

I drove in rush hour Chicago traffic, another sheet of paper clutched desperately in one hand with directions to the Lou Conte Dance Studio. On the way to the studio, there was a tollway that I was not aware was on my route:  40 cents for a car.

I had no change.  MapQuest had said nothing about tollbooths, phantom or not.

And these aren't small tollbooths with people inside. They're big city tollways, automated where you just throw in your "exact change." Panicking and starting to hyperventilate, I pulled up to the gate thingie, and there was a man at the gate thingie next to me, apparently working there, I guess?  I waved him over and said, "Excuse me? I don't have any change."
He kind of blinked at me. "You don't have any change?"  And for the second time in less than twenty-four hours, a person stared at me like a moron.
"No, I'm sorry. I'm....I'm....from out of town," I stuttered.  "I have a dollar. I don't need any change back, but I didn't know..."

He smiled and unlocked the gate and let me pass through anyway, not even taking my wrinkled dollar bill. I breathed a sigh of relief.  I was also grateful I put on make-up that morning for the audition and was looking sufficiently "cute."  Sexist or not, sometimes it pays to be a girl.

I found the studio, and a parking lot nearby. Turns out I couldn't park in that lot -- thanks a lot, Fannie May chocolates! -- so I went back to my car and found a spot on the street.  I still had no change for the meter, so I hoped I wouldn't get a ticket and went inside.

Before our individual auditions, the people in charge talked a lot about the "types" they were looking for and even showed us some clips from other cruise ship productions.  And right then and there, I changed my audition songs.  They weren't looking for pretty sopranos who sang pretty songs.  The clips of the production numbers were from things like Chicago and Cabaret.  They wanted sex and grit.  So instead of singing something from The Music Man, I made the executive decision to open with "Dance Ten, Looks Three" from A Chorus Line.

Choosing songs is always a gamble.  If they like what they hear, they ask you to sing again.  So do you open with your best number and then hope?  Or do you hope they ask you to sing again, and then end with your best number so that's the last thing in their heads?  I opted for the first.  My new song wasn't marked, though, and I did not have a writing utensil on me.  So I did the next best thing.  I marked my chosen sixteen measures with what I did have:  brown eyebrow pencil.  Brown eyebrow pencil, by the way, does not erase, so it's still on those pages now, fourteen years later.

My last minute changes worked to my benefit; they asked me to sing a second song.  So I sang my "pretty," non-sexy song.  Overall, I thought it went well.  Oh yeah, except for the fact that they said, "Thank you, Leonard, for coming today."  That's audition-speak for "You're not what we want and we don't care how far you came for us to turn you down."  They did not ask me to stay for the dance audition.  So all that for ten minutes of nothin'.  Oh well.

    But you see if it wasn't for bad luck,
    Trying to tell you son if it wasn't for bad luck, now now
    Oh, oh, I wouldn't have no luck at all
    --Ray Charles, "If It Wasn't for Bad Luck"
I headed back to the hotel, my ego bruised.   I had to stop halfway there at a gas station so I could get change for the tollway.  I didn't think what little luck I had would keep going. I also had to slam on my brakes once, thanks to a car in front of me, and thereby spilling the Pepsi I had purchased at that gas station (in order to get change for the tollway) all over my car. I got back to the hotel, and dug around my bag for my room key. Couldn't find it. I could have sworn I put it in my bag that morning, but it must have been in my room. So I went to the front desk, and the same twelve-year-old guy from the night before was there, and he said, "Checking out?"
And I said, "No, I'm staying another night."
And he said, "No, you're not. The reservation was only for one night."
And I said, "No, the reservation was to be for TWO nights."

He checked his paperwork and said, "No, only one night."
So I swore a bit and I glared at him, and he gave me the extra key (I never did find the first key, by the way), and I went upstairs -- hot, sweaty, hungry, disappointed, and thoroughly pissed off.

I called my friend who had kindly arranged this hotel room. He then called the online company through which he made the reservation. They insisted that it was only made for one night, and that was that.

Now I could have feasibly left then and there. It was only about 12:30 in the afternoon; I could have driven home. But I was tired, upset, hot, sweaty, hungry, and dammit I wanted to swim in that tub again! So I gave in, and told the front desk to charge the second night to my credit card.  Hotel suites with whirlpools for tubs are NOT cheap, my friends.  Just FYI.

I soaked in the tub to ease my muscles and my half-swollen face and my fragile ego.  I napped.  I got up in time for the hotel's free "happy hour" thingie. I dressed up, put on some make-up (again), and decided I was going to have a good time tonight.  I would pretend it was a vacation or something. There was an Italian restaurant across the street that looked good, plus they advertised a piano bar. So I thought I'd go there for dinner, have some drinks, and soothe my ego by singing a few songs with the pianist.  Fourteen years ago, I had no qualms about randomly singing in public.

I grabbed my purse, headed for the door, went to grab my car keys -- and they weren't there. No car keys.  I dug around in my purse to make sure they weren't lying on the bottom beneath everything else.  I looked in my duffel bag, around bras and underwear and various shoes. I gave the room a once-over.  No keys.  Finally I went downstairs, looked in my car (locked, as always), and there they were, lying on the front seat. Shit.

That's right about when I said, "Oh yeah, this trip just keeps gettin' better and better."  Now I was going to have to pay to have my car unlocked, in addition to paying for the second  night at the hotel.

The Italian Restaurant was across the street from the hotel, so I decided I would walk.  I would call AAA in the morning because I really didn't want to deal with it right hten.

I had a nice dinner, albeit alone. The waiters, all with thick accents, doted on me and shamelessly tried to flirt while I enjoyed my salad and lasagna and bread and wine. And there was a table across from me with what appeared to be a gentleman, his wife, and son. And this guy (probably 38 or 40, dressed in a nice suit) kept looking at me! Like unabashedly staring at me.
And I thought, Shame on you! Oggling me while out with your wife and child.  Oh well.

I finished my lasagna  and went to the bar. Only to be "accosted" by more older men in nice suits   Remember how I said sometimes it pays to be a girl?  This was not one of those times.  The pianist was very nice, though, and let me do a few numbers.  And now, fourteen years later, while I can picture that bar and restaurant, I cannot, for the life of me, remember what I had the balls to sing.

Unfortunately, sitting a seat away from me was a drunk Welsh man who would not shut up. Between his accent and the fact that he was three sheets to the wind, I couldn't understand a word he said.
There was another businessman a table over, watching the Knicks games, as he apparently had money riding on it. And finally, a bartender from Lithuania named Kestas who was more than happy to bum me a cigarette.

After an hour or so, the drunk Welsh guy finally left. The three other people in the bar and I were all incredibly grateful. Apparently he's been there before, and I'm not the only person he was annoying.
Plus, this now gave the second businessman a chance to talk to me and say things like, "You're kidding! You've never been to New York?? Surely as pretty as you are you have a nice boyfriend who takes you places."
"No, I'm single."
"Single?? A pretty girl like you? How come?"
"I'm pretty, but slightly psychotic."
That shut him up for a bit.

But only for a bit:  "Wish you lived in Chicago. I come here every week for business. I could take you to New York and show you around.  San Francisco? Yeah, I bought a condo there, but only stay there two weekends out of the month. Do you need a place to stay in San Francisco?"


I managed to close down the bar (at 11 p.m., party animal). And I went back to the hotel, alone, rather tipsy myself, and passed out in that giant bed.  I woke up with a terrible hangover, called AAA, packed, and checked out at the front desk.  The twelve-year-old desk clerk was, thankfully, not there.

AAA, miraculously, was on time.  They got my car opened, and I was on my way.  I was headed home -- home to my kitties, computer, and closet full of shoes. It's not a terribly long drive, about five hours (or four and a half if you drive like me). You'd think my trials and tribulations would be over, right?
Wrong.

An hour or so into my drive there was this black BMW in the lane to my left. I had some truck going slowly in front of me, and this BMW needed to either speed up so I could get behind him, or slow down so I could pass him. I was starting to get pissed off, so I looked over at this car, and the guy's got his window rolled down and he's shouting at me!  And he's honking and everything!

We're doing 75 mph into the wind, so I couldn't hear a word he said. But he starts motioning for me to follow him and pull over.

I'm trying to figure out what's going on.  Do I have a flat tire?  Is my trunk open?  Did something fall out of my car??

So we turn off at the next exit, and I get out of my car, and he gets out of his shiny black BMW.
He says, "I saw you last night. At the restaurant."

Jesus friggin' Christ! I shit you not, it's the same guy from the Italian restaurant who kept staring at me while out with his family.

Me, stunned:  "Yeah, I was there."
"Wow, what are the odds? It must be fate!"
"Yeah, must be..."   sadistic bitch that she is.
"I saw you having dinner alone, and I wanted to talked to you, but I didn't want to be rude, y'know," he says.
Doesn't seem to be stopping you now.
Then he just blurts out, "You're gorgeous!!"
"Umm, thanks?"

He kept talking, wanting to know where I was going, why I couldn't stay in Chicago another night.
Turns out he was divorced and his son was having trouble in school, so he and the boy's mother went out to discuss things, or so he claims.  I lost interest in his story almost the moment he started speaking.  I have other things on my mind, like how to escape.

"What do you mean you can't stay in Chicago??" he asks.  "Why not?"
"Because I'm going home."  I'm look around at this exit where we've pulled over.  There's not another car or soul in sight, not even a building or a gas station.  My mind is trying to calculate how fast I can get back into my car and end this nightmare.

"Well, when do you have to be back?"
"Oh, in three hours."  Big fat lie.
"So you can't have a beer with me?"
"Nope."
"Gosh, you smell great!"  king of the non-sequitor says.
Thanks, I remembered to shower today, ya pervert.

Then he looks at my car, which is a bit beat up because two weeks earlier my mother backed into it.  While it was parked.
But that's another story.
And there are CD's and snacks and soda cans all scattered about -- y'know, all the roadtripping basics, and he says, "You look like you need some money."

Who fucking says that?

"Goin' around in a broken down car..." he trails off.
"Oh my poor car," I laugh nervously.  "It'll be fixed soon," which was not a lie, for once.

But that money comment, while not entirely incorrect, irked me to no end. What does he think I am?  A prostitute??
 
But before I can contemplate the implied insult any longer, he says this:  "So ya wanna kiss a little bit?"
What?!?  "No thanks."
"Not even a little kiss?"
"No thank you," I say even firmer.
"Why not?"
"Oh, I never kiss on the first drive-by."  Sorry, I get flippant when I'm nervous!  Alright, fine, I'm flippant all the time.

"You're going to let a handsome, young guy like me just get away?"
Young my ass! my inner monologue snickers.  The rest of my brain is trying to figure out how I can quickly ditch this guy and get back into the safety of my sad, broken down car.
The best I can come up with is "Yeah, but if you have an e-mail address, maybe I'll mail you." E-mail's safe, right?  No commitment there.
"Yeah, e-mail me. I go to [your city] all the time for business. I can take you out to dinner."
"Yeah, sure."  Lies, lies, lies, all lies!


He scribbles something on a piece of paper.  I take it and practically jump back into my car.  I'm sure my tires were squealing as I drove like a bat out of hell to get back onto the highway and away from Mr. Creepy Pants.


From then on, the drive was pretty uneventful. But the whole trip was just bizarre and strange and bad and weird. So much so, that I haven't been to Chicago since.

Only now do I realize how much potential that last situation had to go terribly terribly wrong. I could have been molested, raped, maimed, killed, kidnapped, any number of horrible things. I'm so lucky that none of that happened. Only now am I far enough away that I can laugh about the whole thing.  Well, sometimes I laugh.  And sometimes I just drink and think about how young and stupid I was.

After this road trip, I also decided that I don't care if my car's on fucking fire!  I'm not stopping or pulling over for anyone who isn't a cop in a marked car.

Also, I kept his e-mail address.  It was an AOL account.  Even in 2000 that was laughable.  I do believe I used it to sign him up for lots and lots and lots of free porn.


Tuesday, March 25, 2014

Writers Write Every Day

It's true.  Writing must become a habit if one is to consider herself a writer.  And many of them us write on a schedule of some kind.  So my Unit decided to put me on a writing schedule.

I have some free time right now.  I'm not doing back to back shows.  I did not have to prep my current classes from scratch (for the first time in over five years of teaching).  So I have the time, just not the discipline.

"If you're ever going to write a book," she says, "you gotta start writing now."  For some reason my Unit does not believe blogging counts.

So every Tuesday and Thursday (days I don't teach) from 10:30 a.m. to 1:30 p.m. is now my "writing time."  We even wrote it on my calendar (which makes it official).  "You have to write for three hours and come up with at least two pages," she said.

Today was the first day.

I started off with ten minutes of freewriting.  Freewriting (as defined by Peter Elbow; link is to PDF file) is the first thing I tell my students to do when they are stuck or out of ideas or say "I don't know what to dooooooo!"  So I took my own advice.

During that ten minutes I realized that it was going to be nigh impossible to keep my office door shut during the entire three hours because Poe-Poe meowed and cried right outside my door the whole time.  I even saw his paw come underneath the door and wave around.  When the ten minutes was up, I opened the door.  He sat there quietly and innocently next to the dirty sock he had brought up from the basement for me.  (It was one of my hand-knitted socks, too; he spared no expense.)

The freewriting, in addition to helping me write down some of my fears (rather than having them living in my head), generated some new ideas, which it's supposed to do -- so yay, it works!

Then I wrote for approximately three hours -- minus potty breaks, a snack break, eating lunch, taking an important phone call, and letting Doogie outside.  I had my two-page minimum done by 11:30 a.m.  I announced that to my Unit, who almost let me stop, then she changed her mind.

"No.  You have to write for three hours, even if you already have two pages.  DO MORE!"

There were also some moments of just staring at the screen with either a cat or a dog on my lap, wondering where I would go next.  I had picked up a comedic horror short story parody thingie I had started a while ago.  I'm not pleased with all 4.5 pages I came up with, but I wrote them nonetheless.  Write first, edit (and criticize) later.

So, I felt a little bit accomplished by the time I was done.  I'm hoping this is the beginning of a new, productive habit so that I can be published while I'm still young enough to enjoy the fruits of my labor.

To pique your interest in my fiction writing, here is something I had to look up today for said short story: